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Have you considered making something special for a gift for a parent or grandparent?
Information for the IB Visual Arts classes at Haines City IB
"Everyone is creative. People don’t tend to organize and focus that abstract creativity. Always have a little notebook with you! Anything you think that you like, or believe could be expanded upon should be written down. Don’t worry about production. This is your place to scribble and be chaotic! When you want to take the idea to the next level, you can even plan that next phase of your idea in the journal. Alternatively, you can execute these ideas in other formats or mediums. For example, if you have an image in your mind, draw a thumbnail. You can turn that into a painting or photo later. That is when you can worry about details, composition, and quality control..."Posted to Moleskinerie
These days it seems that all people will tell you about your work is “I love it” or “I hate it.” But why? What makes you love or hate it? How could it be made better? What strengths and weaknesses does it have? There is a lot of mediocrity out there. Sometimes what we need to hear is a little constructive criticism to knock us out of our safe place. Without risk there can be no gain. Sure you might make a mistake, but that’s how you learn. We need to step outside the realm of black & white. It’s within the shades of gray that we learn to challenge ourselves and to see things from different perspectives.She writes about her experience with critique in art school and is looking for feedback on her work. Click here to read the full blog post.
"The poems teach us not to believe all that which exists, not even the reflection of ourselves in a mirror...It is difficult to achieve true creative freedom because we are overly concerned with aesthetics and meaning. This is why I especially enjoy these poems. I have used basic visual elements and colors to create a typographical work that represents my interpretation of design and Buddhism."From the Dwell Blog
The artist "starts with large pebble forms that are dotted with holes, then planted with moss. After a precise schedule of shade and mist, the moss develops into an organic glaze. The outer covering remains responsive to the effects of temperature and moisture."Art MOCO
"Kapoor continues to explore the notion of the void in these bold drawings of gouache on paper, further making the transition from exterior form of the object to its interior. The work is centered and the play between positive and negative space is a key element of the compositions. Movement in the shape of fibrous swirls leads to a change in light, drawing the eye outward to beyond the boundaries of the paper."See more work from the exhibition here.
Click here to read the whole article."People I don't even know will often send me images of their work and ask for my opinion. I can remember doing pretty much the same thing many years ago. It's a very common thing to do. I think what it boils down to, at least it was for me when I presented my teacher with my latest effort in the hope of getting the great anointment, is that we are basically asking, "Do we have talent?" And often that means talent sufficient to be a professional artist, or at minimum, are we good enough to pursue this thing called painting, or are we just wasting our time?
It's the wrong question. In fact, I would say that if you are asking some master artist to confirm or deny your talent, you already are in a heap of trouble because it means you are not getting it. It's not about talent. Talent is a dirty word because it assumes that only a few are able when it is quite the reverse."